Uncle Tom's Cabin Author: Harriet Beecher Stowe | Language: English | ISBN:
0486440281 | Format: PDF
Uncle Tom's Cabin Description
Selling more than 300,000 copies the first year it was published, Stowe's powerful abolitionist novel fueled the fire of the human rights debate in 1852. Denouncing the institution of slavery in dramatic terms, the incendiary novel quickly draws the reader into the world of slaves and their masters.
Stowe's characters are powerfully and humanly realized in Uncle Tom, a majestic and heroic slave whose faith and dignity are never corrupted; Eliza and her husband, George, who elude slave catchers and eventually flee a country that condones slavery; Simon Legree, a brutal plantation owner; Little Eva, who suffers emotionally and physically from the suffering of slaves; and fun-loving Topsy, Eva's slave playmate.
Critics, scholars, and students are today revisiting this monumental work with a new objectivity, focusing on Stowe's compelling portrayal of women and the novel's theological underpinnings.
- Series: Dover Thrift Editions
- Paperback: 384 pages
- Publisher: Dover Publications (August 1, 2005)
- Language: English
- ISBN-10: 0486440281
- ISBN-13: 978-0486440286
- Product Dimensions: 8.2 x 5.2 x 1 inches
- Shipping Weight: 8.8 ounces (View shipping rates and policies)
Uncle Tom's cabin is frequently criticized by people who have never read the work, myself included. I decided I finally needed to read it and judge it for myself. And I have to say, that for all its shortcomings (and it does have them), it is really a remarkable book. The standout characteristics of this book are the narrative drive (it's a very exciting, hard to put down book), the vivid characters (I don't know what other reviewers were reading, but I found the characters extremely vivid and mostly believable - exceptions to follow), the sprawling cast, the several completely different worlds that were masterfully portrayed, and the strong female characters in the book. The portrayal of slavery and its effects on families and on individuals is gut-wrenching - when Uncle Tom has to leave his family, and when Eliza may lose little Harry, one feels utterly desolate.
As for flaws, yes, Mrs. Stowe does sermonize a fair bit, and her sentences and pronouncements can be smug. Yes, if you're not a Christian, you may find all her Christian references a bit much. (But the majority of her readers claimed to be Christian, and it was her appeal to the spirit of Christ that was her most powerful tug at the emotions of her readers). Yes, she still had some stereotypical views of African-Americans (frankly, I think most people have stereotypical views of races other than their own, they just don't state them as clearly today). But in her time, she went far beyond the efforts of most of her contemporaries to both see and portray her African-American brothers and sisters are equal to her. The best way she did this was in her multi-dimensional portrayal of her Negro characters -- they are, in fact, more believable and more diverse than her white characters.
John Updike reviews this new edition in the Nov 6 New Yorker, which is available online and well worth looking up. With 100 pages to go, Updike tired of the "irritable sniping from the sidelines" and switched to the standard Library of America edition.
A few months ago I reviewed the Penguin edition of Uncle Tom's Cabin here in Amazon. I suggested that if you decide to read the novel, skip the Introduction until you are done reading, because it gives away several plot points that you are better off encountering for yourself directly.
The same applies to this new annotated edition I think. The novel is not so difficult that you can't simply read it through on your own. I suggest doing that first, in a standard edition, then going through this edition. Otherwise you are having only a mediated experience of the work. In other words, let the work stand or fall on its own merits first, before exposing yourself to the opinions of others about it.
Having read the standard edition earlier I then read this annotated edition "inside out". That is, I read the introductory chapters and the annotations themselves straight through and used Stowe's text as the reference. This is a better approach I think than trying to read the text for the first time with the annotations nearby, where they do intrude and interrupt the flow of the story.
When reading the annotations this way though you do notice the inconsistency in voice that Updike mentions. Most are carefully neutral but you get an occasional first-person remark like "I confess my eyes glazed over" (gee that's helpful), then "again, our eyes glaze over" or "I recall Baldwin's...". Or "I am close to turning the page." then "...bore us silly", in the same annotation.
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