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Home » Art » Download Free The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

Download Free The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

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Wednesday, September 19, 2012

The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer

Author: Visit Amazon's Anne-Marie O'Connor Page | Language: English | ISBN: 0307265641 | Format: EPUB

The Lady in Gold: The Extraordinary Tale of Gustav Klimt's Masterpiece, Portrait of Adele Bloch-Bauer Description

Review

“O’Connor . . . skillfully navigates the bizarre orbit of Klimt’s masterpiece . . . with depth of insight and righteous indignation. Whether or not you’ve marveled at Klimt’s shimmering portrait before, you won’t look at it the same way again.”
—Washingtonian
 
“Fascinating, ambitious, exhaustively researched . . . A mesmerizing tale of art and the Holocaust.”
—The Washington Post
 
“Writing with a novelist's dynamism, O'Connor resurrects fascinating individuals and tells a many-faceted, intensely affecting, and profoundly revelatory tale of the inciting power of art and the unending need for justice.”
—Booklist (starred review)
 
“Part history and part mystery, The Lady in Gold is a striking tale.”
—BookPage

“The dazzling, nearly surreal‘Portrait of Adele Bloch-Bauer I’ is about a lot more than just art. O'Connor captures the whole story.”
—Library Journal

“Every stolen painting has a story. The tale behind this one is epic.”
—Christian Science Monitor

“A fascinating book.”
—Dallas Morning News

“[An] evocation of a beautiful, vanished world.”
—Women's Wear Daily

“Fascinating tale of beauty, terror, loss and remembrance reveals a deeper truth beneath the golden surface.”
—Jonathan Lopez, Associated Press

“O'Connor has told an important story.”
—The Wall Street Journal

“Lusciously detailed.”
—Kirkus

“Encapsulates a fascinating, complicated cultural history of fin-de-siècle Vienna, its Jewish intelligentsia, and their near complete destruction by the Nazis....vividly evokes... how she became entwined with the charismatic, sexually charged, and irreverent Klimt...poignant and convincing...”
—Publisher’s Weekly

“Ignites many a startling flashpoint in the moral history of our time—a taut, rich, tangy and instructive read.”
—Frederic Morton

“Gripping in details and drama.”
—The Los Angeles Times

“Intricately webbed and shocking tale of this iconic work.”
—Donna Seaman

From the Author

 Facebook at The Lady in Gold     annemarieoconnor.com     Twitter @theladyingold
                theladyingold.com        theladyingold.tumblr.com                     
See all Editorial Reviews
  • Product Details
  • Table of Contents
  • Reviews
  • Hardcover: 368 pages
  • Publisher: Knopf (February 7, 2012)
  • Language: English
  • ISBN-10: 0307265641
  • ISBN-13: 978-0307265647
  • Product Dimensions: 9.4 x 6.6 x 1.3 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
This is the story of Adele Bloch-Bauer and Gustav Klimt's portraits of her in fin de siècle Vienna, which were looted by the Nazis, taken by Austria, and returned to Bloch-Bauer's heirs in the 21st century.

The book captures the richness and liveliness of the lives of wealthy and cultured Jews of Vienna,as O'Connor calls it, the "equivalent of a 1960s happening." The cast of characters wandering through the story includes Arnold Schoenberg, Alma Mahler, Gustav Mahler, Oskar Kokoschka and even Freud. Bloch-Bauer, the self-proclaimed atheist and socialist resides in the middle of this privileged life smoking cigarettes and spending long periods posing for Klimt. The exquisite painting, The Lady in Gold was created in those sittings.

This Utopia is shattered by Hitler's march into Vienna and although both Klimt and Adele are dead, their friends and relatives are confronted with a dystopia no one could imagine. As various Bloch-Bauer relatives are escaping, hiding or dying, the Nazis are looting massive amounts of art, homes, businesses and personal possessions, including The Lady In Gold.

Adele's niece, Maria Altmann, comes onto the scene as a Holocaust survivor from Vienna, a dress shop owner in Beverly Hills and one of the real heirs to the Klimt paintings. Next, Randol Shoenberg enters the picture as Maria Altmann's lawyer who fights to get the paintings returned. Skillful writing makes the transition from cultured and wealthy Vienna, to the Holocaust, to new life in California surprisingly smooth and it seems perfectly natural that another generation of Schoenbergs and Bloch-Bauers from another country and another century figure into this well researched history.
"The Lady in Gold", by Anne-Marie O'Connor is a remarkable achievement. O'Connor brings the reader back in time to pre-WWII Vienna, into the silken salons of the assimilated Jewish population, where lilting German voices discuss art and philosophy while sipping dark Viennese coffee with thick cream. She then tells us the story of the enigmatic artist Gustav Klimt and the women he bedded and painted. While the reader never knows if Adele Bloch-Bauer, subject of the painting later renamed by Austria as "The Lady in Gold" was one of Klimt's lovers, we come to know Adele and her family intimately, and we care deeply about what happens to them. O'Connor vividly portrays the devastation caused by the Nazi party in Austria, even to those as wealthy as Adele's family, as we follow them in their struggle to survive.

And then, O'Connor tells another story entirely; how the Nazis systematically stole millions of dollars in homes, furniture, silver, businesses, and artwork from their Jewish victims and, after losing the war, brazenly tried to keep everything they had stolen. In Austria, when Adele's family tried to reclaim their homes and valuable works of art, the government simply refused. People found that history was being re-written. Austrians were no longer part of Hitler's killing machine, but were portraying themselves as his victims! One woman, the great-niece of Adele, was not willing to accept the status quo. Maria Altmann found an attorney who also had ties to pre-war Vienna who had the courage to fight to reclaim the family's stolen art.

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