Batman: The Dark Knight Returns Author: Frank Miller | Language: English | ISBN:
B0064W66HY | Format: PDF
Batman: The Dark Knight Returns Description
Hailed as a comics masterpiece, THE DARK KNIGHT RETURNS is Frank Miller's (300 and SIN CITY) reinvention of the legend of Batman. It remains an undisputed classic, one of the most influential stories ever told in comics, and is a book cited by the filmmakers as an inspiration for the most recent Batman movies.
It is ten years after an aging Batman has retired, and Gotham City has sunk deeper into decadence and lawlessness. Now, when his city needs him most, the Dark Knight returns in a blaze of glory. Joined by Carrie Kelly, a teenage female Robin, Batman takes to the streets to end the threat of the mutant gangs that have overrun the city. And after facing off against his two greatest enemies, the Joker and Two-Face, for the final time Batman finds himself in mortal combat with his former ally, Superman, in a battle that only one of them will survive.
- File Size: 79070 KB
- Print Length: 224 pages
- Publisher: DC Comics; 10 Anv edition (November 21, 2011)
- Sold by: Amazon Digital Services, Inc.
- Language: English
- ASIN: B0064W66HY
- Text-to-Speech: Not enabled
X-Ray:
- Lending: Enabled
- Amazon Best Sellers Rank: #18,540 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
- #11
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in Books > Comics & Graphic Novels > Graphic Novels > Science Fiction
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in Kindle Store > Kindle eBooks > Comics & Graphic Novels > Graphic Novels > Science Fiction - #23
in Kindle Store > Kindle eBooks > Comics & Graphic Novels > Graphic Novels > Superheroes - #33
in Books > Comics & Graphic Novels > Graphic Novels > Science Fiction
It's amazing how well this story, originally written as a 4-part mini-series in 1986, has held up. This story is responsible for the re-emergence of Batman not just as a superhero, but as a tortured anti-hero with flaws that make him no less obsessed than the supervillains he hunts. Not only do we get heaping servings of the dark, obsessed Batman, we also meet an him as an older man, a true "lion in winter" who must come to grips with his mortality and the unstoppable decline of age.
Miller allows us to use our hero to percieve the world around us, and in doing so The Dark Knight Returns also ends up as a critique of 20th century society (and 21st, for that matter). Batman is just a few public opinion points away from being considered no different than the likes of Two-Face and the Joker.
The relationships between Batman and those he hunts is simply outstanding work by Frank Miller. Generally, there are three types of villains. The first are everyday thugs that are shallow and meaningless both in dialogue and mentality. The second is a savage gang leader. Powerfully built, full of rage and singularly focused hate often seen in the young, this character forces Batman to confront his own mortality and, in an awesome final confrontation, turn to the experience of age for victory. But the most powerful relations come with Batman and his fights with the classic supervillains Two-Face and The Joker. In one really powerful scene, Batman realizes he is equally as tortured as Two-Face, but with one difference: Two-Face feels remorse and despair for what he has once again become (One panel has him actually jumping off a skyscraper, in a possible suicide attempt). He has recieved redemption from society as well as himself, but was unable to maintain it from either.
One of the problems with writing about a genre classic nearly fifteen years after its original release is that so many will have tried to surpass it since then (mostly unsuccessfully). Such is the case with Miller's Dark Knight Returns. In the wake of superior product like Alan Moore's The Killing Joke and From Hell, inferior product like McFarlane's insipid Spawn series, and middling product like Miller's own Sin City limiteds, it's hard to understand what a splash was made by The Dark Knight Returns on its original release. Even in light of Miller's work on classics like Ronin, Elektra: Assassin, and the great Wolverine limited series, Dark Knight was something special, something so dark and twisted and mature, it all but demanded that the rest of the genre mature toward its standard, and almost literally forced establishment critics to take the genre seriously at last. No small feat, especially when considering the character Miller chose to work with -- after all, Batman to most people meant Adam West hitting Cesar Romero with a resounding POW! Not exactly the best way to reenergize a medium, right?
Except Miller did it -- boy, did he ever. Dark Knight was and is one of the most powerful pieces of comic art it's ever been my privelege to own. From the Miller/Janson team's gritty illustrative style, expertly suited to the material, to Lynn Varley's exquisite sense of color and mood, to Miller's expertly-written story, Dark Knight is everything a graphic novel should be.
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