William Blake: The Complete Illuminated Books Author: Visit Amazon's William Blake Page | Language: English | ISBN:
0500282455 | Format: EPUB
William Blake: The Complete Illuminated Books Description
From Publishers Weekly
Editions of Blake's poetry which as an artist and printer he frequently engraved and published himself most often fail to reproduce his integral illustrations, or do so in poor enough quality as to negate the effort. This Complete edition from the Blake Trust, published last year in a Thames and Hudson hardback edition that is now out of print, should replace the b&w-only Dover edition (but not David V. Erdman's commentary therein, or his reading text The Complete Poetry and Prose of William Blake) for any reader. The 366 crisp color and 30 b&w reproductions here, culled from the scholarly Princeton University Press six-volume annotated set, are little short of a revelation, giving us Songs of Innocence, Songs of Experience, America, Milton, Jerusalem and the rest of the Blake canon in a form acceptably close, as Binder's introduction makes clear, to the way Blake wanted us to see them. Many of these works are currently hanging in a special Blake exhibition the largest ever at the Met in New York, for which the Abrams book serves as an informative and revealing catalogue. Hamlyn, a senior curator at London's Tate (where the exhibition originated), and the University of York's Phillips present prints, drawings, paintings, selections from Blake's own illuminated books and other relevant materials, such as snapshots from Blake's marvelous editions of Edward Young's Night Thoughts and Thomas Gray's Poems. Introductory essays from novelist and biographer Peter Ackroyd (Blake; T.S. Eliot) and Marilyn Butler, rector of Oxford's Exeter College, synopsize Blake's life and times, while extensive "label copy" situates each work as presented. While the visual overview is useful and some of the detail shots of larger works are compelling, poetry readers who have to choose will take the Complete.
Copyright 2001 Cahners Business Information, Inc.
Review
This book makes a strong case that if you know Blake's poems you're getting only half—or rather none of—the picture. --
The New York Times, Christopher Benfey, 3 December 2000 --This text refers to an out of print or unavailable edition of this title.
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- Paperback: 480 pages
- Publisher: Thames & Hudson (April 2001)
- Language: English
- ISBN-10: 0500282455
- ISBN-13: 978-0500282458
- Product Dimensions: 11.8 x 8.3 x 1.3 inches
- Shipping Weight: 4.4 pounds (View shipping rates and policies)
Valuable things are not easy; easy things are not valuable. I don't know if that's a quotation from the Tao-Te Ching, but it ought to be. William Blake's longer poems, the so-called Prophetic Books, are legendary in their difficulty. Each of the two great epics, "Milton" and "Jerusalem", is a world in itself, taking years or decades to explore. Everyone who has made the effort considers it time well spent.
Blake wasn't shy about the importance of his own work. In a letter he described "Milton" as "the Grandest Poem this World Contains". But these immense, unique hand-engraved, hand-coloured cosmic-spiritual epics found no buyers in Blake's own lifetime. Only one coloured copy of "Jerusalem" is known to exist.
The Illuminated Books have been reproduced in colour before, but this is the first time all the plates have been printed full-size in a single book. Blake is fascinating even in black-and-white, but to read these books in the form intended means entering a new world. By depicting spiritual principles as People, Blake shows us the meaning of all ancient gods.
After the lyrics of the "Songs of Innocence and "Songs of Experience", the best place to start is the "Book of Thel", then the "Visions of the Daughters of Albion". When reading the long books, a plain text copy of the "Complete Poems" will come in handy: difficulty in reading Blake's graceful orange script for "Jerusalem" may be one difficulty too many. The remaining shorter books, with their anguished mythical narratives, rely more than the others on their illustrations, printed as if with fire, rust and soot: images of an age of Revolution.
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